When I first saw it I was immediately taken aback by its striking elegance as it sat juxtaposed against the 19th Century Neo-Renaissance façade of the Vienna State Opera. The Austrian consul in Chicago, Professor Kanut Belyvit, who is overseeing the switch said “Hörl’s 3D plastic reimagining of Dürer’s famous painting is without a doubt one of the most iconic and imaginative pieces of public art currently in Europe. Ottmar Hörl’s Pink Rabbit was built in 2003 for the 500th anniversary of Albrecht Dürer’s famous watercolor ‘Young Hare’ which is to this day one of the most famous depictions of an animal in the history of art. I'm a happy bunny because, after two years, I finally get to show my pink rabbit. This way people can see astounding creations from around the world on their own doorstep without having to pay for a trip to the other side of the planet.” At the same time, not everybody can travel from continent to continent. “With sculptures residing in cities for eternity, inevitably how much they inspire and enchant the local population dwindles a little with every passing year. Huami Kidin has said it is the first of hopefully many of its kind to come. It comes as part of a new multi-million dollar citywide funding for artists, concerts, and new public art known as Arts 77 that was announced roughly a year ago.Ĭreative Arts Director at the World Public Art Directory (WPAD) Dr. The City of Chicago and the Department of Cultural Affairs and Special Events (DCASE) have announced plans to temporarily exchange Anish Kapoor’s Cloud Gate in Millennium Park, known colloquially as “The Bean”, with Ottmar Hörl’s Pink Rabbit sculpture in Vienna, Austria.Īccording to the official release, the swap is part of a new worldwide incentive that seeks to increase intercontinental artistic collaboration and allow people to experience the wealth of public art around the world from the comfort of their own city. In any case, Chicago will have something else to worry about this weekend.The switch will be a temporary five-year trial to test the waters for future public art relocation projects. Houston's Cloud Column will open on May 20 when the rest of the plaza opens to the public. In the end, it may just be a matter of where you've bean and where you're going. "Nobody except Houston wants a leftover, second-rate bean." "It's a leftover bean, a second-rate bean that's been lying around in storage for the better part of 20 years, because nobody else wanted it," he wrote to Gray. Janssen didn't concede the Houston bean's superiority on this point. David Williams, the fabricator who has worked with the artist for over 30 years, told the Chronicle that Houston's bean was made in London over a period of five years and polished for three more. It was made almost 20 years ago, according to the Houston Chronicle. and is larger than the one in Houston, Houston's Cloud Column is actually the original bean. While Chicago's Cloud Gate was made in the U.S. The thing about all this is that both pieces were created by the same British artist, Anish Kapoor. Now here's the plot twist in this tale of two cities. The paper published the string of responses that followed. She entered the fray by reaching out to Janssen, asking at one point, "Is Chicago feeling defensive?" It was the "cultureless abyss" comment that inspired Lisa Gray, senior editor at the Houston Chronicle, to respond. "If being surrounded by a cultureless abyss insufficiently communicates to confused tourists that they are in Houston," he said, "the bean's verticality will therefore act as an additional reminder of their poor life choices." He wrote that Houston's shiny new tilted bean would only serve as a constant reminder of that. But he chalked that up to people's bad decisions to move to or even visit the Texas city. Janssen commented on his rival city's recent growth, acknowledging that Chicago could potentially lose its place as the country's third-largest city. 3 Chicago by just over 400,000 as of 2016, according to the most recent data from the U.S. Columnist Kim Janssen with the Chicago Tribune wrote Tuesday about Houston's new feature in a piece headlined "Unoriginal 4th place Houston gets its own bean sculpture. Some of the sharpest insults are coming from the editorial pages of the cities' papers.
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